A Land, the unique, unclassifiable book Jacquetta Hawkes was born to write, is celebrated in the latest publication from nature writer Robert Macfarlane: LANDMARKS.
Landmarks is a word-hoard, a glossary of disappearing dialect words for British nature phenomena, a celebration of the particular and the specific (qualities to which Jacquetta was of course drawn in her own writing). Macfarlane reflects on his own journey into nature writing and the authors who influenced him. He describes A Land as the “stone-book” of his twenties and devotes several pages to reflections on its power and strangeness.
Macfarlane always has interesting things to say about A Land, a book he has clearly pondered over many years. I noticed the way he discusses an interesting paradox in A Land. Its scale is both very broad – spanning millennia, transcending ideas of nation/country/race, absurd when seen from the perspective of deepest time – and very precise. It is recognisably a product of its particular time and place: New Elizabethan Britain: the era of the Festival of Britain, renewal after the privations of post-war austerity, the romantic modernism of Barbara Hepworth and Henry Moore. As Macfarlane notes, Jacquetta shaped the relationship of these disparate elements with aplomb and daring, zooming from her own garden to the Cretaceous and bringing all together with passion, deep knowledge and honesty.
From Aquabob to Zawn, Guardian article by Robert Macfarlane about the word-hoard in Landmarks & some (very positive) reviews of the book: Guardian, Independent, Telegraph, Times Higher Education Supplement.